"Downtown" | |||||||||
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Single by Petula Clark | |||||||||
from the album Downtown | |||||||||
B-side | "You'd Better Love Me" | ||||||||
Released | November 1964 | ||||||||
Format | Vinyl | ||||||||
Recorded | 16 October 1964 | ||||||||
Genre | Pop | ||||||||
Length | 3:05 | ||||||||
Label | Pye 7N 15722 (United Kingdom) Warner Bros. 5494 (United States) Vogue EPL.8301 (France) Vogue DV 14297 (West Germany) Vogue STU 42207 (Denmark) Vogue US-105 (Japan) |
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Writer(s) | Tony Hatch | ||||||||
Producer | Tony Hatch | ||||||||
Petula Clark singles chronology | |||||||||
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"Downtown" is a pop song composed by Tony Hatch which, as recorded by Petula Clark, became an international hit – No. 1 in the US and No. 2 in the UK – at the end of 1964.
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Tony Hatch recalls: "'Downtown' was written on the occasion of my first visit to New York. I was staying at a hotel on Central Park and I wandered down to Broadway and to Times Square and, naively, I thought I was downtown. Forgetting that in New York especially downtown is a lot further downtown getting on towards Battery Park. I loved the whole atmosphere there and the song came to me very, very quickly."[1]
Hatch had originally intended to present "Downtown" to The Drifters, but when British singer Petula Clark heard the incomplete tune, she proposed that if he could write lyrics to match the quality of the melody, she would be interested in recording it.
"Downtown" was recorded 16 October 1964 at the Pye Studios in Marble Arch. Thirty minutes before the session was scheduled, Hatch was still touching up the song's lyrics in the studio's washroom. Hatch always insisted on recording all the personnel on his productions actually performing together as would be heard on the finished track: the large number of personnel contributing to the "Downtown" session necessitated that two studios be utilized for the track's recording, with a closed-circuit television connection allowing Hatch to conduct the personnel in both the studio in which he was physically present and the auxiliary studio.[2] The session personnel on "Downtown" included guitarists Vic Flick, Jimmy Page and Big Jim Sullivan,[3] and also drummer Bobby Graham[4] and the Breakaways vocal group.[5]
"Downtown" entered the UK Top 50 dated the week 14 November 1964 ending a virtual two year UK chart absence for Clark; of the ten singles she'd had released in the UK during that period only one: "Chariot", #39 the spring of 1963, had appeared in even the lower charts. "Downtown" rose to #2 that December remaining there for three weeks, kept out of the #1 position by the Beatles' "I Feel Fine". Certified a Gold record for sales in the UK of 500,000, "Downtown" also reached #2 in Ireland and #1 in Australia, New Zealand, Rhodesia and South Africa, and was also a hit in Denmark (#2), India (#3) and Norway (#8).
However "Downtown" had its greatest significance in the reception it was afforded in the US. Warner Bros. A&R man Joe Smith was scouting in London for records with American hit potential, the musical British Invasion of the US then going strong. Smith wanted to release Clark's "Downtown" in the US and when a surprised Hatch asked if Smith didn't consider "Downtown" to be "a very English record" he recalls Smith's reply as: "It's perfect. It's just an observation from outside of America and it's just beautiful and just perfect."[1]
Warner Bros. released "Downtown" in the US in December 1964: the track appeared near the bottom of the national charts the week before Christmas and despite the Christmas season traditionally being the worst time to break a new hit "Downtown" shot up to the Top Ten in five weeks and the next week - 23 January 1965 - was #1. "Downtown" retained that position a further week before being overtaken by the ascendancy of the Righteous Brothers' "You've Lost That Lovin' Feelin'". Clark became the first UK female artist to have a US #1 hit during the rock and roll era and the second in the annals of US charted music, Vera Lynn having hit #1 US with "Auf Wiederseh'n Sweetheart" in 1952. "Downtown" also made Clark the first UK female artist to have a single certified as a Gold record for US sales of one million units. "Downtown" would be the first of fifteen consecutive hits Clark would place in the US Top 40 during a period when she'd have considerably less chart impact in her native UK, there reaching the Top 40 eight times.
Clark, who had been playing to her French speaking fans in small venues in Quebec when "Downtown" entered the US charts, swiftly cut non-English versions of the song for the markets in France, Italy and Germany; the absence in each region's language of a two-syllable equivalent of "downtown" necessitated a radical lyric recasting for the versions aimed at France ("Dans le temps"), Italy ("Ciao Ciao") and Spain ("Chao Chao") which respectively charted at #6, #2 and - for three weeks - #1. "Dans le temps" also reaching #18 in the Wallonia region of Belgium. The title and lyric "Downtown" was retained for an otherwise German version which was the most successful foreign language version reaching #1 in Germany and also reaching #3 in Austria and #11 on the charts for the Flemish region of Belgium.
Petula Clark has re-recorded the "Downtown" four times, in 1976 (with a disco beat), in 1984 (with a new piano and trumpet intro that leads into the song's original opening), in 1988 with Dutch producer Eddy Ouwens for the album "My Greatest" for release in the UK, Germany and Benelux only, and in 1996. In addition, the original 1964 recording was remixed and re-released in 1988, 1999, and 2003. The 1988 remix - entitled "Downtown 88" - reached #10 in the UK also charting in Australia (#62), Germany (#13) and Ireland (#14). In October 2011 Clark recorded several lines of "Downtown" for inclusion in the remake by Irish band the Saw Doctors which was credited to the Saw Doctors featuring Petula Clark - click here for details.
Following 9/11, New York City adopted Clark's version of "Downtown" as the theme song for a series of commercials encouraging tourism to Lower Manhattan. The song has been used by other metropolitan areas — including Chicago, Indianapolis, and Singapore — for promotional purposes as well.
"Downtown" | ||||
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Single by Dolly Parton | ||||
from the album The Great Pretender | ||||
B-side | "The Great Pretender" | |||
Released | April 1984 | |||
Recorded | December 1983 | |||
Genre | Country | |||
Label | RCA Records | |||
Writer(s) | Tony Hatch | |||
Producer | Val Garay | |||
Dolly Parton singles chronology | ||||
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"Downtown" has been covered numerous times by other artists since Clark's original recording, notably by Dolly Parton in 1984. After she recorded the track in December 1983, "Downtown" appeared on Parton's album of covers of hits from the 1950s and 1960s, The Great Pretender. It was followed by a single release of the track on RCA Records in April 1984 and proved to be a moderate chart success, peaking at number eighty-seven on the Billboard Hot 100 pop chart and number twenty-seven on the Hot Country Songs chart in the United States. Parton's version altered some of the lyrics: "Listen to the rhythm of a gentle bossa nova" became "Listen to the rhythm of the music that they're playing".
Chart (1984) | Peak position |
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U.S. Billboard Hot Country Singles | 36 |
U.S. Billboard Hot 100 | 80 |
U.S. Billboard Hot Adult Contemporary Tracks | 20 |
Canadian RPM Country Tracks | 20 |
"Downtown" | |||||||||||||||
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Single by Emma Bunton | |||||||||||||||
from the album Life in Mono | |||||||||||||||
B-side | "Something Tells Me (Something's Going to Happen)" "Perhaps Perhaps Perhaps" |
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Released | 13 November 2006 | ||||||||||||||
Format | CD single, digital download | ||||||||||||||
Recorded | 2006 | ||||||||||||||
Genre | Soul | ||||||||||||||
Label | Universal | ||||||||||||||
Writer(s) | Tony Hatch | ||||||||||||||
Producer | Simon Franglen | ||||||||||||||
Emma Bunton singles chronology | |||||||||||||||
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Emma Bunton's remake of "Downtown" was released in 13 November 2006. Bunton, whose admiration for Petula Clark was evident on the 2004 Free Me album, had recorded "Downtown" at AIR Studios (Lyndhurst) with Simon Franglen producing; the orchestra for the track was recorded at Angel Studios with Gavin Wright conducting. Bunton's "Downtown" was selected as the 2006 BBC Children in Need single, with all proceeds from the release going to the charity and Bunton performed "Downtown" on the 2006 Children in Need telethon which began broadcast that 17 November. The single debuted on the UK singles chart dated 25 November 2006 at #24. Centralfm.com noted Bunton's chart debut, declaring "Downtown" "the song she was born to cover...One of the all time great pop songs, ["Downtown"] was long overdue for a revival and Emma Bunton pays it the respect it deserves."
Centralfm predicted "Downtown" would rise to the Top 3 in its second week and the single did indeed jump to #3 on the chart for 2 December 2006 having sold 30,582 units in the relevant week: the mid-week stats had ranked "Downtown" at #2 behind "Patience" by Take That but on the chart for the full week Bunton was bested not only by Take That at #1 but by the previous week's #1 "Smack That" by Akon which outsold "Downtown" by fifty-seven copies.[7] While affording Bunton her highest charting single since her #1 solo debut "What Took You So Long?" in 2001, "Downtown" would prove to have little staying power, spending only three weeks in the Top 20, performances by Bunton on a Christmas Day broadcast of Top of the Pops and New Year Live failing to significantly buoy its popularity.
These are the formats and track listings of major single releases of "Downtown".
Chart (2006) | Peak position |
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UK Singles Chart | 3 |
Eurochart Hot 100 Singles | 32 |
Irish Singles Chart | 36 |
Slovakia (IFPI)[9] | 13 |
UK Sales: 77,039
Directed by Harvey & Carolyn, (the directors who also directed her video for her single "Maybe") the sexually suggestive music video for the single is set in a hotel bedroom featuring Bunton as a maid. It includes appearances from contestants from the BBC's reality television show Strictly Come Dancing and features cameos from Matt Dawson, Louisa Lytton, Carol Smillie, Spoony, Mark Ramprakash, Claire King, Peter Schmeichel, Craig Revel Horwood, Anton du Beke, Brendan Cole, Erin Boag, Lilia Kopylova, Karen Hardy, and Darren Bennett. Though the lyrics are innocuous, in the video Bunton's body language clearly twists the song title into a euphemism for sexual activity. Bunton, however, has denied this repeatedly, for example in this interview with online music magazine Popjustice:[10]
Popjustice: "The dancers in the 'Downtown' video seem to know you very well indeed. So well that they are all pointing at your fanny. Was this your idea?"
Bunton: "I don't understand where this has come from. It is a dance routine and it is nothing to do with anything like that. It is everyone else's dirty little minds. Especially yours. It worries me because it is a classic and you can't make classics rude."
In October 2011 Irish band the Saw Doctors remade "Downtown" with Petula Clark singing some lines: the track is credited to the Saw Doctors featuring Petula Clark. For about a year the Saw Doctors had been including "Downtown" in a concert set piece comprising snippets of well-known songs and their audiences' particularly enthusiastic reaction to "Downtown" led to the band's decision to remake the song. The Saw Doctors' producer Philip Tennant was friends with Petula Clark's manager John Williams and an invitation was conveyed to Clark to sing on the Saw Doctors' version of "Downtown" with Clark resultantly joining the Saw Doctors in the London studio where their version of "Downtown" was recorded. Top Irish cinematographer Eugene O' Connor (Father Ted) directed the video for the Saw Doctor's "Downtown" which was shot on the nights of November 9 and November 10 2011, focusing on the band's members walking through the town center of Galway: footage of Clark was shot in Paris and spliced into the completed video which was uploaded on YouTube on November 17 2011. Radio presenter Ray Foley (Today FM) began a campaign to make the Saw Doctors' "Downtown" the Christmas #1 in Ireland for 2011 encouraging sales of the track upon its December 16 2011 release with the intent of propelling it to the #1 position on the Irish Singles chart for the week ending December 22 2011 and the Saw Doctors' "Downtown" was indeed #1 on iTunes Ireland for the relevant period. However on the Irish Singles chart dated December 22 2011 the track debuted at #2 with "Cannonball" by Little Mix retaining the #1 position largely because of "Cannonball"'s greater availability as a CD single - 10,000 units as opposed to "Downtown"'s 2000 - making "Cannonball" a more attractive prospect for gift-buyers.[11][12][13]
Preceded by "Come See About Me" by The Supremes |
Billboard Hot 100 number one single January 23, 1965 (two weeks) |
Succeeded by "You've Lost That Lovin' Feelin'" by The Righteous Brothers |
Preceded by "You've Lost That Lovin' Feeling" by The Righteous Brothers |
RPM number one single February, 1965 (one weeks) |
Succeeded by "Let's Lock the Door" by Jay and the Americans |
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